To learn more about how and for what purposes Amazon uses personal information (such as Amazon Store order history), please visit our Privacy Notice. A performance-oriented Latin dance band from Venezuela heavily indebted to funk and disco (with a dash of acid jazz), los Amigos Invisibles made a big splash in their homeland in 1995 with their d. You can change your choices at any time by visiting Cookie Preferences, as described in the Cookie Notice. Regístrate para Deezer Free y escucha Los Amigos Invisibles: discografía, canciones top y playlists. Click ‘Customise Cookies’ to decline these cookies, make more detailed choices, or learn more. Third parties use cookies for their purposes of displaying and measuring personalised ads, generating audience insights, and developing and improving products. This includes using first- and third-party cookies, which store or access standard device information such as a unique identifier. If you agree, we’ll also use cookies to complement your shopping experience across the Amazon stores as described in our Cookie Notice. We also use these cookies to understand how customers use our services (for example, by measuring site visits) so we can make improvements. The Venezuelan sextet’s next Southern California appearances are Thursday night at the House of Blues San Diego and Friday night at the House of Blues Sunset Strip in Hollywood.We use cookies and similar tools that are necessary to enable you to make purchases, to enhance your shopping experiences and to provide our services, as detailed in our Cookie Notice. The spacey rock outfit West Indian Girl opened for Los Amigos Wednesday night. Though it started inauspiciously, “Cuchi-Cuchi” built momentum and wound up being a satisfying crowd pleaser. He was yelling the words out, but no one could hear amid the amplified music. The sexy and sexual song was featured on the group’s breakthrough album, “Arepa 3000,” as well as on the 2001 “Tortilla Soup” soundtrack.īriceño missed the first several verses, since his microphone was unplugged. The final tune was “Cuchi-Cuchi,” perhaps the band’s best-known ditty. Later, the group got the audience jumping with a cumbia version of “The Venga Bus is Coming” – that synthy hit that still serves as a soundtrack to Magic Mountain commercials.įor its encore, Los Amigos churned out a layered “Dulce,” providing a tapestry of sound yet supplying it with a solid beat. Los Amigos offered an excellent, extended version of “Merengue Killa,” with an authentic, hip-shaking meringue beat and musical structure. Random audience members are never going to sing as well as him.īriceño led a Police-like chorus of “Eee-oh-oh,” then later said something in Spanish about needing money to purchase food – burritos and pornography. He does the best job at serving these songs up. Let’s face it, Briceño’s the professional singer. This practice got irritating after a while. On one song, “El Disco Anal,” he even allowed individual members from the audience to clutch the mike and sing the song. The lead singer also turned his microphone over to the crowd rather often, which was a bit annoying. He sang one of the band’s new songs in English, “In Luv with You.” It was passable, though Briceño’s vocals occasionally sounded karaoke-ish. That was pretty cool – I wish they had done the whole song.īriceño addressed the audience in Spanish and some English, although his English was not entirely audible. Keyboardist Figueredo took his shirt off to expose his wiry body just before “Mentiras.” I guess it was supposed to be hot.Ībout a third of the way in, Briceño walked offstage for a break, while the instrumentalists played the orchestral beginning of “Head Over Heels” by Tears for Fears. Percussionist Arcas offered an impressive rap on “Esto,” while the rest of the band sang backup. Los Amigos performed a number of songs from its latest album, “Commercial,” including the catchy “Mentiras,” “Plastic Woman” and “Loco Por Tu Amor.” Several songs from the past were also sprinkled in, including “Yo No Sé,” “Amor,” “All Day Today” and “Esto es lo Que Hay.” He sang with authority and verve, though he was nearly upstaged on occasion when lively guitarist Pardo sang background vocals on a microphone that distorted his voice and made him sound like a reverb robot. Led by Julio Briceño on vocals, the band (now based in Brooklyn) also includes José Luis Pardo on guitar and background vocals, Armando Figueredo on keyboards, José Rafael Torres on bass, Mauricio Arcas on congas and percussion, and Juan Manuel Roura on drums.Īfter a brief, funky musical introduction, Briceño hit the stage with white, 70’s-looking sunglasses, jeans and boots. audiences played a 1½ hour set at the Mouse House, demonstrating its facility with Latin rhythms, funk, disco and a touch of acid jazz. The sextet that David Byrne helped introduce to U.S. One of Venezuela’s most popular rock bands descended on the House of Blues Anaheim on Wednesday night, and generally speaking, the group did not disappoint. Click here to see photos of performers and fans at the House of Blues
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